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Franco-Swiss artist, trained at the École du Louvre in Paris, antique dealer, specialized in
decorative arts, he continues his learning in workshops for creating wall decorations,
then developed his first personal artistic activities in the USA.
Back in France, he set up his workshop in the heart of the Alps, and created works
vibrant and unique. Free amplitude or measured stop, curves or lines punctuate its
creations. Reliefs, lines, superpositions and ruptures suspend the rhythms of time, and
imprint the movement.
Choreographer of matter, Martin Berger draws his inspiration from nature and
dynamics of gestures and the body. Thanks to multiple processes, he invented
new ways of implementing his pieces, which are all aspects of his insatiable
curiosity to explore the unknown, both human and spatio-temporal.
His work harbors an ambivalent look, between aesthetics and revelation of the urgency of
consider our welcoming space, earth and being, as essential

CHARLOTTE BILTGEN

MONCEAU DINING TABLE
Its black-stained oak top, delicately gouged, reveals a living relief where the sculptor’s hand seems to have left a rhythmic imprint—an animated surface that catches the light in subtle flickers.
Its base, cast in plaster, offers a powdery, sensual texture that diffuses light with softness. Adorned with sinuous, helicoidal twists, it evokes the grandeur of ancient columns, a modern echo of Corinthian volutes. These sculpted curves draw shifting shadows that bring the structure to life with an almost choreographic presence.
The plaster of the base bears an undefined, ever-changing white, suggesting a subtle personality that transforms gently over time.
Black-tinted gouged top
L 240 cm - L 100 cm – H 72 cm
L 94.5” - D 39.3 – H 28.3”
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